Book Review: Emma in the Night by Wendy Walker

Review 2.27

 

One night three years ago, the Tanner sisters disappeared: fifteen-year-old Cass and seventeen-year-old Emma. Three years later, Cass returns, without her sister Emma. Her story is one of kidnapping and betrayal, of a mysterious island where the two were held. But to forensic psychiatrist Dr. Abby Winter, something doesn’t add up. Looking deep within this dysfunctional family Dr. Winter uncovers a life where boundaries were violated and a narcissistic parent held sway. And where one sister’s return might just be the beginning of the crime. [Source]

Emma in the Night is one of those purely innocuous novels that is perfect for a long airport layover. Between its relatively slim pages is a story that is fast-paced, entertaining, and entirely forgettable. I finished this book three days ago, and I had to read the Goodreads synopsis to remember much of the plot.

Describing this novel by Wendy Walker as forgettable sounds harsh, but it isn’t meant as such. Sometimes it’s nice to sit down a read a book that doesn’t require your full concentration. It does; however, make writing a review more difficult because there isn’t much to say beyond, “Yeah I read that.”

The dysfunctional family relationship between mother and daughter is at the heart of Emma in the Night. Walker explores the concepts of narcissism and narcissistic personality disorder as they relate to the bonds between the women of the Tanner family. We are told about the psychological strain of growing up in a household ruled over by a manipulative and controlling parent, and how that often triggers a cycle of mental illness and abuse.

I liked that Walker resisted the urge to split her timeline, instead keeping the story in the present tense and delivering important exposition via conversations between Cass and the police. While this does create a distance between the reader and the protagonist, it also avoids the cliche of having constant flashbacks which add nothing to the overall narrative. When the final twist came, as final twists inevitably do in the thriller genre, it didn’t feel like a cheat. Which is high praise from a reader who is thoroughly fed up with unnecessary plot twists.

My rating: 3.5/5

You can find Emma in the Night here on Amazon or here on Book Depository.

Wendy Walker’s debut novel, All is Not Forgotten, was reviewed for this website by none other than my momma! Check it out here.

Happy reading everyone!

Book Review: The Agony House by Cherie Priest

Review 2.26

 

Denise Farber has just moved back to New Orleans with her mom and step-dad. They left in the wake of Hurricane Katrina and have finally returned, wagering the last of their family’s money on fixing up an old, rundown house and converting it to a bed and breakfast.Nothing seems to work around the place, which doesn’t seem too weird to Denise. The unexplained noises are a little more out of the ordinary, but again, nothing too unusual. But when floors collapse, deadly objects rain down, and she hears creepy voices, it’s clear to Denise that something more sinister lurks hidden here.Answers may lie in an old comic book Denise finds concealed in the attic: the lost, final project of a famous artist who disappeared in the 1950s. Denise isn’t budging from her new home, so she must unravel the mystery-on the pages and off-if she and her family are to survive. [Source]

 

Graphic novels are among my very favorite type of book, and when I heard about The Agony House, set in a derelict New Orleans house in a community still reeling from Hurricane Katrina, I got excited. It turns out that Cherie Priest’s novel isn’t a traditional paneled graphic novel; instead, the primary narrative is written in standard prose, following Denise as she had her family attempt to unravel the riddle surrounding their new home. Nestled at random intervals throughout the novel are snippets of a mysterious comic book which may provide clues as to the identity of the spirit haunting the house on Argonne Street.

I really, really wanted to like this book. It has everything going for it: spooky house, plucky heroine, the cultural heritage of New Orleans. Not to mention the artwork by Tara O’Connor which I thought would offer a unique parallel to the main plot.

Unfortunately, The Agony House can’t decide what kind of book it wants to be. It is part mystery novel, part ghost story. It is part teenage adventure story, part cultural admonition on gender inclusivity. In general I find that when a book scatters itself over several genres, it ultimately spreads too thin and ends up as none of them. Such was the case with Priest’s book. The supposedly complex “mystery” at the center of the plot is oddly disjointed, long sections would pass where no one seemed to be working to solve it.

The pages of paneled comic book within the novel were also a bit of a let-down. After finishing The Agony House, I went through and read only the blue-tinted illustrations to see whether or not they made a cohesive story on their own. The answer was no; the illustrated sections offer nothing conducive to the overall plot. I started the book looking forward to these portions, but ended up just disappointed and confused.

My rating: 2.5/5

You can find The Agony House here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: Wishful Drinking by Carrie Fisher (2008)

Review 2.25

 

In Wishful Drinking, Carrie Fisher tells the true and intoxicating story of her life with inimitable wit. Born to celebrity parents, she was picked to play a princess in a little movie called Star Wars when only 19 years old. “But it isn’t all sweetness and light sabers.” Alas, aside from a demanding career and her role as a single mother (not to mention the hyperspace hairdo), Carrie also spends her free time battling addiction, weathering the wild ride of manic depression and lounging around various mental institutions. It’s an incredible tale – from having Elizabeth Taylor as a stepmother, to marrying (and divorcing) Paul Simon, from having the father of her daughter leave her for a man, to ultimately waking up one morning and finding a friend dead beside her in bed. [Source]

 

When I hit “play” on the audiobook edition of Wishful Drinking, hearing Carrie’s Fishers voice come out of my earbuds almost floored me. I knew that the audiobook was narrated by the author, but somehow I hadn’t connected that with the fact that Carrie Fisher was going to be telling me the story of her life.

Just hearing that sarcastic raspy voice was enough to transport me completely. Carrie Fisher was one of my heroes when I was growing up, and not for the reasons you might think. Of course I’ve been a life-long fan of Star Wars to the point where I’m currently sipping tea out of a Death Star mug, but it wasn’t Fisher’s portrayal of Princess Leia that made me love her. It was maybe twenty years later, when I was watching an interview with Fisher on Leno or Letterman or one of those late-night talk shows. I was probably only ten years old, but I remembered even then just how few fucks Carrie Fisher gave about anyone else’s opinion of her.

Her memoir, Wishful Drinking, is an extension of that attitude. Considering that the cover features Fisher dressed up as Princess Leia, I imagined that this book would be filled with fun behind-the-scenes tales from her time on the set of Star Wars. Fisher knows her audience, and does deliver some amusing anecdotes about working with George Lucas. But ultimately, Fisher did not write her memoir to talk about her career as an actress.

She wants to talk about mental health.

Carrie Fisher was a loud and lifelong advocate for mental health. She is open and honest about her own battles with bipolar disorder and the substance abuse problems that so often accompany the illness. She describes how electro-shock therapy has left her with holes in her memory  but a renewed zest for life. This matter-of-fact portrayal of mental illness was refreshing, and Fisher herself seemed to take great comfort that so many “crazy people” managed to achieve so much despite their mental health problems. It doesn’t help that it was all read in Fisher’s brash tones.

I cannot recommend enough you listen to this book as opposed to reading it in print. As I listened to Wishful Drinking I could picture Carrie Fisher so perfectly. She is chain-smoking one cigarette after another and laughing over-loudly at some inappropriate comment. It was like having her back for a few short hours

My rating: 4/5

You can find Wishful Drinking here on Amazon or here on Book Depository. The Audible edition is read (wonderfully) by the author and can be found here.

Happy reading everyone!

Book Review: The Woman Who Would Be King by Kara Cooney

Review 2.24

An engrossing biography of the longest-reigning female pharaoh in Ancient Egypt and the story of her audacious rise to power in a man’s world.

Hatshepsut, the daughter of a general who took Egypt’s throne without status as a king’s son and a mother with ties to the previous dynasty, was born into a privileged position of the royal household. Married to her brother, she was expected to bear the sons who would legitimize the reign of her father’s family. Her failure to produce a male heir was ultimately the twist of fate that paved the way for her inconceivable rule as a cross-dressing king. At just twenty, Hatshepsut ascended to the rank of king in an elaborate coronation ceremony that set the tone for her spectacular twenty-two year reign as co-regent with Thutmose III, the infant king whose mother Hatshepsut out-maneuvered for a seat on the throne. Hatshepsut was a master strategist, cloaking her political power plays with the veil of piety and sexual expression. Just as women today face obstacles from a society that equates authority with masculinity, Hatshepsut had to shrewdly operate the levers of a patriarchal system to emerge as Egypt’s second female pharaoh. [Source]

It becomes clear quite early on in The Woman Who Would Be King that author Kara Cooney is personally outraged by the near erasure of Egyptian King Hatshepsut from the annals of history. And well she should be; the only reason that Egyptologists were able to recover any traces of Hatshepsut’s reign at all is that she built so profusely during her reign that her successors were simply incapable of finding and destroying all of her iconography.

Every book lover still mourning the loss of the Library at Alexandria can probably sympathize.

Still, precious little information has survived as to what Hatshepsut’s personal life was like, or what her motivations were for seizing the throne. Cooney explains this in the introduction, and admits that large areas of her biography on Hatshepsut’s life are based, by necessity, on conjecture. And it’s true that she resorts to using the word “perhaps” at an irritatingly frequent pace. We simply cannot know the circumstances under which Hatshepsut was crowned King. What we’re left with is speculation, which Cooney uses to fill in the gaps in the historical record as best she can.

There are a few less savory aspects of life in ancient Egypt that cannot be denied. Hatshepsut was married to her half-brother, Thutmose II, and give birth to at least one daughter. Inbreeding was standard practice within royal bloodlines at the time, and she may have been the product of inbreeding herself. Also, far from the gilded surfaces and cool stone palaces we picture from films, life in this time period was short and hard. Disease was as common as sand, and the royalty in the palace would not have been immune from lice, boils, malaria, and worms. Cooney accepts these facts as further proof of Hatshepsut’s exceptionalism and, in truth any woman who survived into adulthood and through childbirth in ancient Egypt was most definitely worthy of high praise. And Hatshepsut managed to do it all while holding a kingdom together.

After her death, all of Hatshepsut’s statues and icons were torn down, and her face was replaced in many other reliefs. The exact reason for this systematic destruction is just one of a thousand things we will never know about Hatshepsut’s reign. I enjoyed that Cooney did not take an extreme feminist slant as this stage, as she noticeably did in the introduction. While it is incredibly likely that Hatshepsut’s successors were threatened by her status as a female king, it may have had more to do with the shaky line of succession left in the new King Thutmose III, and his desire to avoid civil war that led to Hatshepsut.

I’ve always loved stories about ancient Egypt. Growing up, Zilpha Keatley Snyder’s The Egypt Game was one of my favorite childhood books. However, this biography was accessible to anyone, regardless of prior knowledge of Egyptian society. I was familiar with a lot of it, but ended up learning a ton more.

My rating: 4/5

You can find The Woman Who Would Be King here on Amazon or here on Book Depository. The Audible edition is narrated by the author and can be found here.

Happy reading everyone!

 

Book Review: Asylum by Madeleine Roux

Review 2.23

 

For sixteen-year-old Dan Crawford, New Hampshire College Prep is more than a summer program—it’s a lifeline. An outcast at his high school, Dan is excited to finally make some friends in his last summer before college. But when he arrives at the program, Dan learns that his dorm for the summer used to be a sanatorium, more commonly known as an asylum. And not just any asylum—a last resort for the criminally insane.

As Dan and his new friends, Abby and Jordan, explore the hidden recesses of their creepy summer home, they soon discover it’s no coincidence that the three of them ended up here. Because the asylum holds the key to a terrifying past. And there are some secrets that refuse to stay buried. [Source]

To be honest, I was less than thrilled when I picked this book up from the library to find that it was in the “Teen” section. I generally enjoy YA horror, but the creepy-ass cover art that originally piqued my interest had gotten my hopes up for a full-on scare fest. YA horror is somewhat limited by the constraints of its genre, and I immediately knew that this wasn’t going to be the spine-tingler I had envisioned.

My initial disappointment was at least somewhat soothed by the unique visual style of Asylum. Interspersed within the narrative are photographs allegedly taken from inside former mental institutions. This adds an immersive element to the story and ups the spook factor a bit. There is something inherently sinister about black-and-white photos of abandoned buildings, and this gave the novel a much-needed boost of creepiness.

The big difference between horror novels intended for adults, and horror novels geared towards “young adults” (an annoyingly vague term that could refer to anyone between the ages of thirteen and twenty-five) is that YA writers and their publishers seem insistent on adding an unnecessary “romantic” angle. Personally, I believe that teenagers are capable of accepting a story that does not involve awkward kissing or endless mooning over awkward kissing, but hey what do I know.

What I do know is that this persistent romantic subplot trope can work well in fantasy or science fiction, but it doesn’t translate to horror. When Daniel, the protagonist of Asylum, is wandering the decrepit remains of an abandoned surgical theater in the middle of the night, I doubt very much that he would be daydreaming about a pretty classmate.

Asylum is what it is, and it would probably be a fun read for someone in junior high school. I was just hoping for a little more Winchester brothers and a little less Scooby Gang.

My rating: 3/5

You can find Asylum here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: The Cruel Prince by Holly Black (Folk of the Air #1)

Review 2.22

Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.

To win a place at the Court, she must defy him–and face the consequences.

As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself. [Source]

 

I first heard about Holly Black’s The Cruel Prince last year, and had been meaning to check it out for ages, but wanted to finish Sarah J. Maas’ Throne of Glass series before embarking on another journey into YA fantasy. I’m really glad I finally got around to reading it; I was almost surprised by how much I liked this novel. It manages to avoid a lot of the more glaring tropes that have become disappointingly commonplace in YA fantasy.

The Cruel Prince immediately pulls away from the cluttered pack with its heroine. Jude is a mortal who has grown up in constant fear and danger; she dreams of becoming a knight in order to gain a stable position in the Faerie court. The best thing, she isn’t an archer. I am so tired of women being assigned the bow again and again as their weapon of choice; it’s become a tired and overused cliche. But Jude fights with sword, dagger, and crossbow. And poison. And subterfuge. She never stoops quite low enough to enter “antihero” territory, and her motives are generally honorable, but her actions are decidedly less so, which made for a refreshing change of pace.

The world of the Fae has been described in detail by countless authors, and the immortal lands are limited only by the creative limits of the writer. Is it a dreadful and haunted land of twisted and depraved individuals, like in Peadar O’Guilin’s The Call? Or is it an eternal land of beauty and impossibly gorgeous men, like A Court of Thrones and Roses? Holly Black has taken aspects from both interpretations; her Faerie Court is beautiful and deadly, where immortals live a life of luxury but humans are often bewitched and enslaved. It is also filled with one of the most diverse group of Faeries I can recall. Their skin is in every shade from cerulean to sienna; they have horns or tails or goat’s hooves in place of feet. I particularly liked the figure of Jude’s stepmother, whose cold demeanor covers hidden secrets.

I also enjoyed that Black stayed away from yet another overused cliche; Jude is not motivated by romantic love. She isn’t pining after a lost love, or sacrificing herself to save a lover. She also is not driven by any kind of familial duty. Her relationship with her sisters is largely unexplored, something I hope is remedied in the recently released sequel.

Jude is motivated purely by ambition.

She wants to become a knight simply because she wants to be acknowledged as the best. She has been powerless her entire life, and when the opportunity for power presents itself, she seizes it without hesitation.

Ambition is a heady thing, and I will be interested to see where Jude’s ambition leads her.

My rating: 4.5/5

You can find The Cruel Prince here on Amazon or here on Book Depository.

Happy reading everyone!

 

Book Review: The Spellbook of Katrina Van Tassel: A Story of Sleepy Hollow by Alyssa Palombo (2019)

Review. 2.21

Washington Irving’s short story The Legend of Sleepy Hollow is deeply ingrained in the American psyche; two hundred years after it’s publication and I doubt there are many grade school children who are not at least passingly familiar with the story of Ichabod Crane and his ill-fated midnight ride. The tale has been told and retold in so many different iterations that it’s sometimes difficult to remember that nowhere in Irving’s original source material was the ghost of the Headless Horseman actually witnessed. The reason for the sudden disappearance of the luckless schoolmaster is left open to interpretation. Did he slink away in shame after his proposal for the hand of the beautiful Katrina van Tassel was denied by her father? Was he only after her wealth the entire time, venturing to the next village in search of a more hapless heiress? Or, as the townspeople whisper to themselves, was he taken to the depths of hell by the Headless Horseman, who is said to haunt the woods around Sleepy Hollow?

All of these questions and more are answered in this historical romance novel by Alyssa Palombo. Set in the very early days of the American republic, just a few years after the defeat of the British soldiers, Palombo does a wonderful job of setting her scene. She captures the revolutionary attitude of New England with her heroine, Katrina Van Tassel. No longer the mostly nonverbal plot device of Irving’s story, here Katrina holds the same optimistic attitude and hopeful fervor that would have defined the young nation under Washington’s presidency. Palombo paints a romantic but realistic view of New England life. The community of Sleepy Hollow represents a community that is extraordinarily close-knit, and for a good reason. Any group of people that did not come together during the long New England winters would not have lasted long.

The Spellbook of Katrina Van Tassel has the setting. And it has the characters, with its outspoken and forward-thinking heroine. Palombo also takes a bit of narrative license with Ichabod Crane, making him less of a painfully awkward but still capturing his shy, gentle spirit and nerdy appearance. When the current TV series Sleepy Hollow depicts him as dreamy beardy eye candy:

it’s a nice message to send that a man can be attractive due to a generosity of spirit, or a creative imagination rather than just a chiseled jawline.

Anyway, Palombo gets all of these really great characters together in this really great setting and then…

She doesn’t seem to know what to do with them.

For nearly two hundred of it’s three hundred and fifty page running length, we are treated to chapter after chapter of Katrina pining after Ichabod. She yearns. She craves. She longs from afar. Sometimes there are snatched moments of joy and pleasure with her beloved, but these moments are fleeting and then it’s quickly back to pining.

Another fifty or so pages is dedicated to Katrina attempting to use “witchcraft” as she seeks out answers to the mystery behind Ichabod’s disappearance. I put witchcraft in quotes because she mostly consults tarot cards, or stares into fires after drinking some herbal tea. The reveal of the eponymous “spellbook” was such a disappointment that I actually groaned aloud.

On an unrelated note, the tagline for this book is nonsense. Love is a thing even death won’t erase? What does that even mean? No shit Sherlock. We don’t just stop loving someone the moment they die. But that is an issue for the publishers of this novel, not the novel itself.

My rating: 3.5/5

You can find The Spellbook of Katrina Van Tassel here on Amazon or here on Book Depository.

Happy reading everyone!

Book Review: This House is Haunted by John Boyne (2013)

Review 2.20

 

After the death of her father, twenty-one year old Eliza Crane accepts a job as governess to the children of Gaudlin Hall. Upon her arrival at the train station, an invisible pair of hands seize her coat and attempt to push her onto the tracks; she is only saved by the unknowing interference of a local resident. This is only to be the first of many such assaults as Eliza enters Gaudlin Hall to find an oppressive and violent spirit, intent on preventing anyone besides the two children to remain within the walls of the manor.

John Boyne is probably best well known for his award winning novel The Boy in the Striped Pajamas, about two children on opposite sides of a concentration camp fence. Most of his work focuses on historical fiction, and Boyne sticks to his roots with This House is Haunted, adding a supernatural twist. This novel is an homage to the Gothic novels of the Bronte sisters or Rebecca du Maurier.

All of the elements at play for a classic haunted house tale are present in This House is Haunted. Our protagonist, Eliza, is a recently orphaned young woman who accepts a position as a governess to the children of a lonely manor home. Upon her arrival, she finds that the townsfolk speak of the manor, called Gaudlin Hall, in hushed whispers. The children seem to have been left all alone, and no one will tell Eliza the fate of their parents. The children themselves, particularly twelve year old Isabella, speak in riddles and ominous statements. And all of this is in the early few pages, before the supernatural forces that surround Gaudlin Hall make themselves known with a ferocity seldom seen in ghost stories.

Like I said, all of these elements needed for a wonderfully spooky tale are accounted for in This House is Haunted. And yet, it failed to illicit even the smallest shiver down my spine.

Perhaps it was Eliza herself that was somehow lackluster. Her primary characteristic seems to be that she is homely. She is very, very insistent on this fact, constantly lamenting her ugly features which have denied her the prospect of ever becoming married. Because as we all know, only the most beautiful women in history have ever been able to catch a man. Other than plain, Eliza isn’t much else. She is merely a prop that serves the dual purpose of delivering exposition and being attacked by spirits at regular intervals.

Or perhaps it was the lack of descriptive details regarding the manor house itself. Haunted house stories are only as creepy as their setting. There needs to be slow, creeping fog and corridors that seemingly go on forever. There needs to be crumbling walls and menacing portraits and all of the other deliciously atmospheric particulars that raise gooseflesh on the arms and make you reconsider a creak in the night. Some of those details honestly may have been present within the pages of This House is Haunted, but they got lost in the shuffle. I did enjoy one midpoint reveal that winked a tribute to Charlotte Bronte. But sadly, Eliza Crane is no Jane Eyre.

My rating: 2.5/5

You can find This House is Haunted here on Amazon or here on Book Depository.

Happy reading everyone!

 

 

Rescue Cat Wednesday! 13/03/19

While reading is my oldest love, I am also very passionate about animals. I volunteer twice a week with a wonderful Toronto-based charity called Action Volunteers for Animals. They rescue homeless cats from all around Ontario, as well as run Trap-Neuter-Release programs to help control the population of homeless cats. Every week, I plan to post pictures of some of the delightful kitties currently staying with us at the local adoption facility.

If you or anyone you know is interested in adopting a rescue cat, you can find out more at actionvolunteersforanimals.com

After a few weeks off we are back with another installment of Rescue Cat Wednesday! One of the reasons I haven’t posted pictures of our wonderful shelter kitties is that we simply don’t have very many right now. AVA together with PetsMart had a hugely successful adoption weekend in February, with thirteen cats finding their forever homes from just our location in Scarborough!

When we don’t have very many cats in the adoption center, this gives us a lot of time to socialize and work with the cats that we do have. Since most of the cats that come to our shelter are rescues from the streets or cat colonies, they don’t always have a lot of trust or confidence around people.

 

Using gentle words, interactive play, and occasional bribery with treats, the volunteers at AVA are always working to help our cats become more comfortable around humans. Sometimes this takes just a few days, sometimes it can take months! For example, shy Kennedy has been with us since October, and only last week was a fellow volunteer able to pet him and scratch under his chin. This is a huge step for Kennedy!

 

Kennedy is bonded with Spencer, who is a lovely, gentle cat who wants everyone to be happy. He got used to being around people very quickly, and loves to be petted and scratched behind his ears.

 

Buddy and Sweetie are two more cats that need a little patience and a lot of love. They were found in a nearby trailer park as half-grown kittens. Because they started out life on their own, they can be defensive around people, but they love to play, and this has been a great way of encouraging these two eight month old cats to become more comfortable around people. They are a bonded pair, so they will go to their forever home together!

You can see more photos of our wonderful rescue cats, learn more about AVA, and become involved as a volunteer by visiting actionvolunteersforanimals.com

 

Book Review: The Lost Man by Jane Harper (2019)

Review 2.19

Two brothers meet at the border of their vast cattle properties under the unrelenting sun of outback Queensland, in this stunning new standalone novel from New York Times bestseller Jane Harper

They are at the stockman’s grave, a landmark so old, no one can remember who is buried there. But today, the scant shadow it casts was the last hope for their middle brother, Cameron. The Bright family’s quiet existence is thrown into grief and anguish. Something had been troubling Cameron. Did he lose hope and walk to his death? Because if he didn’t, the isolation of the outback leaves few suspects… [Source]

About ten years ago, I found myself on a cattle station in northern Queensland. The exact details of my many misadventures over the course of my four month stay could fill a book, and I won’t go into them at this time. Suffice to say when Jane Harper describes the Australian outback as a brutal, unforgiving environment, I know from experience that she is absolutely correct. And I was only a twelve-hour drive from Brisbane, which doesn’t even count as “outback”.

The impossibly arid climate of Western Australia is the primary antagonist of The Lost Man. The merciless sun, which can kill a grown man in less than a day, shines on bare rock and scrub grass. Poisonous snakes lurk in the shrubs. The nearest neighbor might be three hours away. The isolation of this environment is a character unto itself as well.

In this harsh world live three brothers. The middle brother, Cameron, manages the family cattle station with his wife Ilse. Bud, the youngest, helps his brother but also resents him for keeping him from pursuing larger ambitions. The eldest, Nathan, lives alone on his own property, a recluse who hides from society after being ostracized for a long-ago sin.

I read and reviewed Jane Harper’s Force of Nature last year, and I remember feeling almost relieved that it didn’t suck. I had a bad run of luck with the mystery/thriller genre for awhile, and I remember her novel as a light of  hope in the darkness of trite foreshadowing and clumsy backstory. One thing that Harper improves upon with The Lost Man is keeping her narrative perspective to one character. In Force of Nature, each chapter was narrated by a different women of the group, which led to none of them getting enough attention. Here, Nathan has our focus from page one. We feel his intense loneliness and the fear of rejection that has caused him to huddle, like a turtle within its shell, on his meager acres.

The only thing I would say in critique of this novel is that Harper may have forgotten that if you limit your narrative to a single perspective, you need to ensure that your protagonist is there to verify important events. One character’s descent from decent person to violent manipulator rang strangely false, almost as if there was a section detailing more of this behavior that was somehow missing.

That said, Harper does manage to avoid what I call the “plot-twist ripple effect”, in which a book’s climax contains multiple sudden reveals simply for the sake of shock value, and which make very little sense when viewing the book as a whole. This is just another reason while I will continue to keep Jane Harper on my look-out list, where so many thriller authors fall by the wayside.

My rating: 4/5

You can find The Lost Man here on Amazon or here on Book Depository.

Happy reading everyone!